Category Archives: Thinking

Setting out one’s stall

My friend Steve Cook has started a blog on modelling the Culm Valley Light Railway (see links to the side). This offers much promise, as Steve is a careful workman and a great advert for craftsmanship (I hope he isn’t blushing!) as you see already with his first few posts.

What I really liked, though, was his simple and clear statement about his aims, objectives and standards. Something from which we can all learn.

 

Happy Christmas one and all.

 

Simon

Adult Conversation

I have mentioned before my sincere admiration for Mike Cougill’s noble attempt to stimulate grown up thinking and talking about the hobby, so much so that I help out as and where I can because ideas and words are important: they frame our viewpoints; they shape out thoughts; and they change the way we interpret the world. As well as reading his blog, you can now get a free sampler from the early editions of “The Missing Conversation”.

It’s free. It requires nothing more of you than some gentle reading (rushing this kind of material is not the best way to appreciate it). At worst you will have had an enjoyable read, and decided that this kind of thing is not for you. At best, you will re-evaluate your approach to the hobby, and may even change it.

And if you like it, why not join in the conversation?

Framed!

Mike Cougill and Chris Mears have done it again!

Whilst I ponder olfactory stimulation, they have pushed ideas further forward – much further forward, as far as I am concerned.

There are certain memories which I would most likely destroy by trying to model them, for I will never be able to capture all aspects which inspire me. So, I shall enjoy my memories. I can even visit preserved railways, but they can’t take me back to 1978, as I can never be 13 again. Nothing I can do will change that – apart from memories, but they are best kept locked in a safe place. That’ll be my head, then.

If you haven’t visited Mike’s or Chris’s blogs yet, I suggest you do.

What’s that smell?

My good friend Mike Cougill has made another insightful post, on finding the “magic bullet“. But regular commenter Matt has provided a blinding observation on the need to find the right inspiration.

When it comes to layouts, I have no problem coming up with designs – got them coming out of my ears, to be honest (as several unfortunate friends can no doubt attest*, and indeed do) – but I find myself inspired by three or four different themes, each mutually exclusive, each identically time-consuming. Each appealing for for different reasons, and none getting ahead of the others by a large enough margin to square the circle.

Finding that spark is the hard bit: unlike layout design issues where “analysis paralysis” can take hold, this is more fundamental. Emotional constipation?

What fires me up the most? Sound and movement and smell. Movement is about quality of construction, leading to smoothness of motion and not quantity of “operation”. Sound is relatively simple to arrange with high quality digital systems, although I wonder if a duplicate sound card should be driving a sub baseboard woofer – just a few watts. But smell?

Yes. Smell.

It’s the smell which stumps me. It is the most evocative sense when it comes to memory, yet we pay so little attention to it. I have no desire to sit inhaling the fumes of a dirty diesel engine as it revs up after idling for a few minutes (I am not suicidally pre-disposed in my modelling!) but if I could somehow generate just a hint of that odour, I would be transported back to my teenage years. (The slightly acrid smell of steam engine smoke, on the other hand, I tend to find a little off-putting.)

When I find my muse, I’ll let you know: I will also be able to blog about modelling, rather than philosophising about it!

* What they don’t know, is just how many plans they don’t see…

Dearth of Leadership

Cast around the web and you will find numerous postings about the decline of the hobby and its impending demise. A particularly frequent remark is about declining magazine readership figures, and how they are “dumbing down” and not interested in “finescale”, to which someone with connections with the printed hobby media responds by saying that finescale is too small a market, etc. (On which basis, how is it that Model Railay Journal is approaching its thirtieth birthday?) This is the marketing tail wagging the editorial dog. There has been an interesting discussion on Iain Robinson’s blog, in amongst the excellent modelling he displays.

Here’s a contrary thought, based on the concept of action rather than reaction.

Forty years ago the Railway Modeller – about as mainstream and middle of the road as they come – had an audited circulation of 100,000. It was the first hobby magazine which I took on a regular basis, from the age of ten, and much as I now dislike the appalling strap line they used at the time (“For the Average Modeller” – who wants to be average, when average is an alternative word for mediocre?) they struck a good balance. Some featured layouts were frankly somewhat lacking in finesse (unballasted track with missing sleepers at the rail joiners) but others were leading edge. Indeed, the P4 layout “Heckmondwyke” came about when the then editor of the magazine, the late Cyril Freezer, stated the criteria for proving the concept of P4, sufficient to get a layout featured as “Railway of the Month”. Given the links with the parent company, Peco, it is perhaps not surprising that I cannot recall articles on how to make one’s own track, but it was not a requirement that all layouts used Streamline in order to feature in the magazine. My first issue contained articles on a variety of subjects, including EM gauge and a drawing of a prototype goods wagon. On balance I think they got things right. I also improved my standard of grammar and my vocabulary. I am told that CJF did not amend articles as such but he did discuss the writing style with authors and helped them to improve via suggested alternatives and positive feedback.

I believe that the circulation is 40% of that figure now. Quite a decline!

I know that hobby interests have changed, but we now have more free time, more spare cash, and we also offer a hobby which we all agree has more to offer than most (except by way of instant gratification – you still need to build a layout on which to run the trains which came out of the boxes; even if you pay someone to build it, it will take time). If the hobby is declining, then I suggest it’s more to do with how we present ourselves than anything, and I think magazines do have an important part to play here: how to get the best out of modern RTR (including putting new sides onto existing bodies). How to complement the “out of the box” models with a bit of variety via modification, kit-building and scratchbuilding to create more interesting trains. How to create a believable setting – which means we need articles on making buildings from scratch), how to operate it properly – and how to put signals on a layout to aid this. And ultimately, how to develop a trained, critical eye for things – and how to go about getting things right. There is plenty of potential material for this: just look at the blogosphere.

My wife buys “crafting” magazines. These are full of useful ideas which she regularly puts into practice. They also seem to be flourishing, and no one bemoans declining numbers nor do they say that they are simply interested in buying things – unless they be tools or raw materials, and ideas from the magazines. Why can’t we be more like that?

There is a massive opportunity here. Not necessarily for the mainstream magazines to grow, at least not immediately, but an opportunity for them to stabilise their circulation prior to leading the hobby to new growth, with the obvious ultimate benefit to all.