Category Archives: Thinking

Time and Decisions

Well, the issue of being honest about one’s choices – neatly summed up by Paul (Bawdsey) as consciously saying “I won’t” rather than assuming “I can’t” – has developed into a great discussion: I just wish these issues were more widely discussed!

But Trevor, that thoughtful Canadian whose blog is as good an example of blogging as you can find on the net, has stimulated another post, this time about how one chooses to spend one’s hobby time: what some might call the “psychic cost” (nothing to do with mind-readers and other charlatans) of a pastime. As he says, if one chooses to handlay track, then the extra time involved may lead to a decision to have less of it to lay. I would add to that: if one has a desire to fill a large room with an operationally intensive layout with less focus on fine detail, then the time is better spent on making a decent job of laying high quality flex track, with possibly some hand laid turnouts here and there to get around the restrictions of ready to lay turnouts.

But what struck me was the whole issue of “payback” from spending time. 200 hours spent laying track can be just as enjoyable as playing with the end result, whether that time is spent carefully attending to the “top and line” of laying flex track or inserting 4 individual spikes per tie. In fact, the amount of handlaid track which can be built during 200 hours is considerably less than the amount of flex track which can be laid in that time. So, if the “cost per yard” is pretty much the same, and the enjoyment per hour is pretty much the same, the enjoyment per dollar is much higher for the handlaid layout. (Or put another way, the hobby becomes cheaper!) Chances are, the hand layer of track will also “need” less equipment, so can afford to buy higher quality items and enjoy the better performance that comes from being able to afford precision engineered gearboxes, etc.

Here’s another example. Many years ago, a member of my then local club who was proficient at turning out engines from cast white metal (woods metal) kits, decided to have a go at an etched engine kit, as he had been told that they were “better”. Whilst it is true that they were possessed of finer details, there were more details, and some of the components required forming. He gave up on the experience, as it was going to take him ten times longer to build something which cost twice as much. His enjoyed building engines, sure, but his aim was to build up a large stud. As such, the psychic cost of the better product was too great – indeed, there was nothing “better” about the etched kit as far as he was concerned. I sympathised with his position, but I also put it to him that the etched kit had been designed to take longer, and if he viewed it in terms of hours enjoyed per pound spent, then the etched kit delivered five times the value. Well, he wasn’t known for being tolerant of opinions different to his own, and his answer was unrepeatable (but funny) but he sort of got the point: his problem was that he couldn’t get a cast kit for that particular class, and neither was it available ready to run. He simply was not prepared to pay the psychic cost to get what he wanted, and was disinterested in the payback via enjoyment that others might experience, as that wasn’t what he was looking for. I thought that was a shame, but then again, my outlook is different: I can only run one train at once, and whilst it is nice to be able to run something different, I have no interest in a large stud. It doesn’t matter if the journey takes longer, as the journey itself is enjoyable.

In fact, it matters if the journey doesn’t take longer!

Decide wisely, before you spend your hobby time, on how you wish to spend it. It may inform your subsequent decisions in ways you may not yet have considered.

Setting out one’s stall

My friend Steve Cook has started a blog on modelling the Culm Valley Light Railway (see links to the side). This offers much promise, as Steve is a careful workman and a great advert for craftsmanship (I hope he isn’t blushing!) as you see already with his first few posts.

What I really liked, though, was his simple and clear statement about his aims, objectives and standards. Something from which we can all learn.

 

Happy Christmas one and all.

 

Simon

Adult Conversation

I have mentioned before my sincere admiration for Mike Cougill’s noble attempt to stimulate grown up thinking and talking about the hobby, so much so that I help out as and where I can because ideas and words are important: they frame our viewpoints; they shape out thoughts; and they change the way we interpret the world. As well as reading his blog, you can now get a free sampler from the early editions of “The Missing Conversation”.

It’s free. It requires nothing more of you than some gentle reading (rushing this kind of material is not the best way to appreciate it). At worst you will have had an enjoyable read, and decided that this kind of thing is not for you. At best, you will re-evaluate your approach to the hobby, and may even change it.

And if you like it, why not join in the conversation?

Framed!

Mike Cougill and Chris Mears have done it again!

Whilst I ponder olfactory stimulation, they have pushed ideas further forward – much further forward, as far as I am concerned.

There are certain memories which I would most likely destroy by trying to model them, for I will never be able to capture all aspects which inspire me. So, I shall enjoy my memories. I can even visit preserved railways, but they can’t take me back to 1978, as I can never be 13 again. Nothing I can do will change that – apart from memories, but they are best kept locked in a safe place. That’ll be my head, then.

If you haven’t visited Mike’s or Chris’s blogs yet, I suggest you do.

What’s that smell?

My good friend Mike Cougill has made another insightful post, on finding the “magic bullet“. But regular commenter Matt has provided a blinding observation on the need to find the right inspiration.

When it comes to layouts, I have no problem coming up with designs – got them coming out of my ears, to be honest (as several unfortunate friends can no doubt attest*, and indeed do) – but I find myself inspired by three or four different themes, each mutually exclusive, each identically time-consuming. Each appealing for for different reasons, and none getting ahead of the others by a large enough margin to square the circle.

Finding that spark is the hard bit: unlike layout design issues where “analysis paralysis” can take hold, this is more fundamental. Emotional constipation?

What fires me up the most? Sound and movement and smell. Movement is about quality of construction, leading to smoothness of motion and not quantity of “operation”. Sound is relatively simple to arrange with high quality digital systems, although I wonder if a duplicate sound card should be driving a sub baseboard woofer – just a few watts. But smell?

Yes. Smell.

It’s the smell which stumps me. It is the most evocative sense when it comes to memory, yet we pay so little attention to it. I have no desire to sit inhaling the fumes of a dirty diesel engine as it revs up after idling for a few minutes (I am not suicidally pre-disposed in my modelling!) but if I could somehow generate just a hint of that odour, I would be transported back to my teenage years. (The slightly acrid smell of steam engine smoke, on the other hand, I tend to find a little off-putting.)

When I find my muse, I’ll let you know: I will also be able to blog about modelling, rather than philosophising about it!

* What they don’t know, is just how many plans they don’t see…